A tale of three generations of resilient women unfolds in Cherie Dimaline’s “Empire of Wild,” as they battle a werewolf-like Rogarou to rescue a missing husband and safeguard their land from corporate greed. This gripping narrative claimed the top spot in Indigo’s 2019 book rankings, surpassing renowned works such as Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
An investment of approximately $4 million is underway to transform this Indigenous-themed saga into an opera, set to debut in Toronto next spring. The project aims to attract a younger audience and challenge traditional opera enthusiasts with its innovative approach.
Set in the Georgian Bay Métis community of Penetanguishene, Ontario, where author Dimaline and composer Ian Cusson have deep roots, “Empire of Wild” resonates with personal connections. Cusson, inspired by his mother’s tales of the Rogarou, emphasized the contemporary relevance of the story during a recent music workshop.
The opera features modern, relatable characters, including queer individuals and blue-collar workers, engaging in authentic dialogue that reflects the way people speak today. Cusson described the production as a cinematic experience enriched with elements of horror.
Innu soprano Elisabeth St-Gelais embodies the lead role of Joan, a character grappling with personal struggles and the mysterious disappearance of her husband. The narrative delves into themes of power, resistance, and resilience, showcasing the importance of intergenerational support along matrilineal lines.
The diverse cast, featuring talents like Kwagiulth and Stó:lō artists, brings a unique perspective to the story, emphasizing themes of survival and cultural resilience. The opera’s Indigenous-led creative team promotes inclusivity and collaboration, fostering a holistic approach to artistry.
St-Gelais expressed her pride in contributing to an opera led by Indigenous creators, highlighting the growing presence of Indigenous voices across various fields. The inclusive creative process, guided by a sense of equality and respect for all contributors, sets a new standard for artistic collaboration in the opera industry.